Monday, 30 December 2019

Addendum to:Okinawan Villages: The hidden roots of Okinawan Kobudo and Tiy?


I didn't expect to be able to add very much to my original blog Okinawan Villages: The hidden roots of Okinawan Kobudo and Tiy?  anytime soon:  However, getting to chat to someone trained in Maeda-Ryu seems a worthwhile addition ☺  

The supporting material is that Maeda bo is actually taught as "bujitsu" as well as existing as the cultural bo-jutsu village dance.   This is taught by Tomimoto sensei as a functional system, with kata buried in it, though not widely taught.  There was also a Sai element, but this is no longer taught.  The style of Maeda Ryu was identified as being around possibly 600 years old.

Whilst this is not proof of age or origin, as there is no supporting documentary evidence, it does show that the functional side of Maeda bo actually exists.  

Source: Jesse Enkamp, student of Tomimoto sensei in Maeda Ryu (thank you Jesse-san) ☺ 

Tuesday, 24 December 2019

Immunity (lack of) of the Stubborn



As I have said many times, I am stubborn and don't give in easily, but it doesn't make me immune....  Saturday in the dojo was a struggle.  On Friday, I had to admit that stubbornness alone wont get you through feeling unwell at times and went to see my doctor.  Now, I'm on steroids and antibiotics for a week 😩

With Sensei Ben out, not at all well, Sensei Alison took us through the last Saturday lesson of the year.  Can't say I was anywhere near my best and the lesson was a bit of a blur  We did at least four paired drills:

Hooking hands, 
Hooking hands combined with other elements (this is one I had forgotten)
Block elbow, clear, trap, elbow strike
Naihanchi Sandan opening drill - take punch to stomach, turn into Zenkutsu dachi, trap arm and pull, backhand to ribs, face slap, hammer hand to arm, hammer hand to face ( hitting pressure points)

Then there was  Pad work:

Mai geris {push kick version), 
Mawashi geris, left and right legs
Commbinations:  jab, cross, Mai geri, spinning back heel kick

Then Pad work in circles of 5, each taking it in turns on the pads, I can only remember the spinning heel and Mawashi geri elements of this,
Then some other pad work.

Finally we did some work on throws, including hip and sweeping throws.  

Don'r usually forget that much of a lesson, shows how under the weather I was 😩  Ho hum, but now it's holiday time.  Hopefully will recharge my batteries and come back fitter in the New Year. ☺☺  We rounded things off with a group photo, and all that is left is to wish anyone reading this a Merry Christmas and hopefully a good New Year ☺☺

Wednesday, 18 December 2019

A Matter of Intent



Saturday's session in the dojo was one of the most intense I have done,  My chest infection still hasn't properly cleared, but it doesn't stop me from giving everything that I can.  The start to the lesson gave nothing away, with a fairly traditional warm up, the usual formal opening then conditioning to the body and legs with a partner.

Then things went up a gear, we split into pairs and started to do pad line work with kicks.  Each time we had to land in front to allow us to kick alternately with the right and left legs.  We went through Mawashi geri, Mai geri, Ushiro geri, and Yoku geri, I lost count of how many reps we did, but it sapped me enough that on the last one I missed entirely with one kick and hit my partner's knee 😞  That was the point at which I sat it out for a while.

What I missed was the following section on combination line work:   Alternate Mawashi geri, Mai geri, Ushiro geri, and Yoku geri kicks, landing on the front foot.  I went back in for the next section though, which was circuit work, half the class holding pads and the other half doing the circuit to work on them.  Techniques to be carried out with swift repetitions for about 30 to 45 seconds included: right leg Mawashi geris, forearm smashes, Hisa geris, left leg Mawashi geris, punoch combinations including jab, cross, hook, and a couple more.  I dropped out on pad 4, but rejoined for the last few (7 or 8 pad stations set up).  Our Sensei said they wanted to push us and they did.

After that, it was on to Kata.  I started off with the advanced group and went through the Naihanchis, before joining the other students for the (almost) final part of the lesson.  We did individual performances of Naihanchi Shodan, and for the first time I can remember, was complimented on the intent of my kata.  Apparently I seriously looked as if I wanted to do damage 😊😊😊

We had a few minutes left, and I got yo be Sensei's demonstration partner for some basic Naihanchi work.   That hasn't happened too often either, so I think I can take from this lesson obvious signs of improvement 😊😊😊

Sunday, 15 December 2019

Okinawan Villages: The hidden roots of Okinawan Kobudo and Tiy?



It isn't a popular concept that the roots of Okinawan Kobudo and Tiy are intertwined.  In his recent book "The transformation of Tiy", Sensei Koei Nohara  states (p38 English edition), "Further, bo kata can be performed by using ones hands instead of using a bo and, vice versa, tiy kata can be performed using a bo.  Bo kata that were developed in the 13th century such as Maeda no kon, Shirataru no kon, and Ufugusku no kon are basically the same as Maeda no te, Shirataru no te, and Ufugusku no te."  There is no reference material given with this, but given the dates and the oral, secretive and ritual nature of the history of Karate, I don't suppose that is too unusual.

I wanted to see whether this perception was commonly held, and posted in a group on Facebook to see what other karateka thought.  The response was fairly negative, as I guess the possibility goes against most people's preconceptions, which I guess is that Kobudo and Karate are different disciplines.  Still, it piqued my interest and I decided to look further into it.  Being relative novice to Karate, I don't have a massive library of material to draw on, so turned to the Internet and found a YouTube video of a kata: Maeda Bo Chugata

I asked my own Sensei whether he was familiar with this particular kata, but he wasn't so there I left things for a while, until I enquired of Andreas Quast as to whether there was a time line for Okinawan history, which he kindly provided Periodization of Ryukyuan History   I also asked him whether he had come across the Maeda bo kata.  He said that he had, and had trained with the person in the video.  He suggested that if I wanted to know more, I should get in touch with Cezar Borkowski.  Cezar kindly responded and advised that Maeda is indeed the oldest extanct bo kata, with a provenance of over 500 years as a continuous fighting tradition, "now under the direction of Tomimoto and Arakaki sensei". He also provided a link to his own article: The Revolution of Ryu Kyu Kobudo.

Cezar made comment on the video of the Maeda kata that "For over 500 years Maeda-bojutsu has been preserved and practiced in the Maeda village of Urasoe-shi. This highly combative tradition, focuses on the bo, but also includes sai, as well as a close-quarter empty hand grappling methods. Arakaki-sensei (senior disciple of Tomimoto Yuko) performs the middle level form."

On the origins of the bo in his article, he indicates of all the Kobudo weapons in use today, that the bo is the one that is most uniquely Okinawan" To quote from his article "The bo is an ancient implement employed in early Shamanistic rituals. At the religion’s core is the sanctity of seji or a deep spiritual power. Devotees believe that the seji is the source of power for the shaman, warrior or ruler.
Shamanistic ceremonies included sacred omoro songs and kami dances that were often performed with a bo. Special bo dances were an integral component of festivals celebrating terukawa (sun), terushino (moon) and teda (sunshine). These elaborate productions also marked the harvest, commemorated special historical events and honoured ancestors. Colourfully costumed village strongmen carrying bo would perform martial-like routines to the pulsating rhythm of cymbals and drums. In my view, the similarity of these routines to weapons kata is unmistakable, and these dances were likely the forerunners of modern kobudo forms."
Later in his article, he cites that there are "more than one hundred village bo routines exist. They are often performed by folkloric groups at Okinawan festivals which include the Tsunahiki (giant tug-of- war), dragon boat races, National Sport and Fitness Day, as well as many local celebrations. These exciting weapons exhibitions often include musical accompaniment in the form of cymbal clanging, Taiko drumming, and a unique Okinawan style of whistling."
Observations and conclusions :  From Cezar Borowski's article, it is clear to see that much of the antique cultural use and context for the use of the bo has been passed down in Okinawan village tradition.  From the comment made by Cezar Borowski on the Maeda bo Chugata video, the family of kata not only include bo, but also sai and "close quarter empty hand grappling methods", could this be construed as a form of Tiy?

I would suggest that the Okinawan village routines (including dance) might well contain the elemental roots of both Okinawan bojutsu and Tiy. On a historical note, whilst Sensei Nohara places the Maeda Kata in the 13th Century and the 500 year figure quoted by Cezar Borowski places the kata round about the 15th century, these both fall within the Gusuku-jidai period (early period of old Ryukyu period) as shown in Andreas Quast's timeline.


Friday, 13 December 2019

Sit up, Stand up....


Saturday's lesson was up to the usual high standard, with new things to learn ☺☺.  This time there was a Naihanchi drill starting from sitting, followed by a short Pinan Godan drill, which could also be taken as a Passai drill.

The warm up consisted of break falls, kami rolls, runs with press ups and situps, followed by stretches. Then after the formal opening, we did Kata practice.  My part of the class work on the Naihanchi katas, whilst the intermediate grades went on to the Pinans and the high grades went up to Passai (I think).

From there we were onto the drills.  The Naihanchi drill starts with both partners sitting side by side.  One takes the role of aggressor and the other of the defender, taking it in turns to alternate.  The drill was built up in segments with the same partner and once the whole drill was practiced, we did a pad work version so that the strikes could be tried with  something akin to full force.  The drill in its entirety opens with a backhand slab from the aggressor. The defender traps and extends the arm and applies an arm bar, followed by a hammer first just behind the ear.  The defender then rises and turns towards the attacker, controlling the head and applying two elbow strikes.  The head still being controlled, the defender applies two knee strikes then pushes away and runs to safety.

From a theoretical point of view it was explained how started how we started off as the reactors at the start of the drill, but end up as the actors by the end.  This needs repeating regularly at home, to ingrain the skills needed.  The next to last part of the lesson consisted of the Pinan Godan drill.  Starting off from a bridge, the aggressor traps and extends the left arm to clear for the next attack. This is a forearm strike to the side of the neck, and is followed by a cross choke.Then leads to a hip throw, hammer fist to side of head, stamp then push away, getting to safety.

The final 10 minutes, we did some kobudo, practicing the Bo Shodan and Nidan kihon Kata ☺☺

Practical note, for the hip throw after the cross choke.  The thrower keeps choking the opponent and the arms act as a lever.  The right foot of the thrower goes in between the opponent;s feet to act as a pivot.  Turning the body anti-clockwise, the left heel goes in front of the opponent;s left foot.   The right foot of the thrower goes to the outside of the opponent's right foot, and the thrower drops into the opponent and executes the technique over the right hip / thigh. ☺☺

Regards, 
Robert Y 13/12/2019                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                         

Sunday, 8 December 2019

Why Karate, but particularly my style, is right for me


I think I have been lucky in finding a style of Karate that suits my needs first time. I think any style of Karate would be good for Cardio-Vascular exercise, provided the person's limitations are taken into account.   However from my journey so far, I can honestly say sports Karate would not have been for me.   Finding out I had COPD later this year was also a big downer, but at the stage it was caught, the exercise we do in the Dojo is highly recommended by my doctor.

The luck started with trying to find my son an activity to make him confident when transferring between schools.  The centre where we looked had both JuJitsu and Karate:  He preferred Karate and in taking him to the lessons I became interested as well.  Not only did it work out for him, it has worked for me, and we now share a common interest 😊 .  Who would have believed we would end up competing and winning medals together?

Where I live has become much rougher in recent years due to police cuts, amongst other things.  I need to learn self defence as well as work out; some of the other styles may well have worked, but Shorin-Ryu seems to meet my needs perfectly.  Of course, having Sensei I both like and respect is a great starting point.

The basic advice to all people wanting to learn self defence is, hopefully, always try to avoid, or avoid conflict or escape if at all possible.  I can try the avoids, and escape if it is at a sane pace.  But for me, it would take a massive amount for me to try running away.  My speed is definitely not a strong point, and younger chasers are always likely to have more stamina.

So for me, learning to hit, kick, forearm strike, knee strike,  etc. to vulnerable parts is an absolute must.  If I have do defend myself, it needs to be done as quickly and effectively as possible and  need to make sure the opponent stays down.

I understand the idea that the sports style of Karate is good for controlling the distance, but for me if I have to engage, I think the only option I would have is to step inside before my attacker expected, so the style I am studying works just fine for me.😊 

That said, the nerd in me loves to see how other styles of Karate do things, and hear other people's stories.  A beginner like me needs to learn one style well, but there is nothing wrong with an open mind or inquisitive personality either.  😊  Also I have always been a lover of history, and Karate offers a wonderful insight into all sorts of aspects, from medieval to modern day.   😊 

Hopefully the journey will continue for a long time, with many more eye opening and positively challenging times to come. 😊 

Saturday, 7 December 2019

Nerd life: A potted summary of the development of Modern period Karate





  Prior to Ankho Itosu and his introduction of Karate into the Okinawan school system, Tiy, or with acknowledged Chinese influence, Tudiy, was a fairly private affair.  The forms taught seem to have some kind of standard roots, but which were then varied by individual practitioners and their families / friends / students over time.

At the time that the newly named Karate went public, there were three regional "groupings" identified, around which various styles were said to be based "Shuri-Te", "Naha-Te" and "Tomari-Te".  The latter seems to have been more an acknowledgement of the influence on trade of Karate, rather than a specific group of styles, as Tomari was the main port of Okinawa.  Okinawa has a rich history of trade (legal and otherwise) in the Asia-Pacific bowl, and many of the influences of what ended up as Karate, would have centred around that port.

Okinawa served as a gateway for trade to China for many hundreds of years, so influences on Karate would have been possible from any of the trading partners; China, Siam, Japan, India, Indonesia, etc.  Which probably explains why similar moves can be found in Karate to the native styles of the other Countries.  However, the blend that became Karate, was mostly an Okinawan distillation of internal and external influences.

So when Karate emerged into the daylight, the key styles of Shuri-Te and Naha-Te were Shorin-Ryu and Goju-Ryu.  The purer forms of Shuri-Te consisted of blended Okinawan Kata, whilst Naha-Te were  heavily Chinese influenced, as the base Kata of Goju-Ryu is Sanchin.  This is directly descended from  the Fujian White Crane style of Martial Arts (Quan Fa / Kung Fu).  KishimotoDe is a style of Shuri-Te Karate that pre-dates Ankosu Itosu, and includes Naihanchi, Passai and Kuskansu as base kata, so it is safe to say that these are original Okinawan blends.

Anko Itosu seems to have introduced the Pinan family of Kata, plus Naihanchi Nidan and Sandan into the base Shorin-Ryu kata list, which was the main family of styles of Shuri-Te Karate.  This was a part of the introduction of Karate into the Okinawan education system in the early 1900s.  Motobu Choki identifies other truly Okinawan blended Kata as  Chintoh, Chintei, Wanshuh and Roh-hai.  


The potential benefits of Karate for school education and possible military indoctrination were recognised by the Japanese, and in the 1930s, Karate was introduced to the Japanese mainland.  Gishin Funakoshi, a student of Anko Azato, was successful in introducing a watered down version of Shorin Ryu, including a large part of Itoh Ankosu's syllabus, into Japan as Shotokan.  A lot of the individual Kumite strikes were removed for safety, and so Karate essentially lost a lot of it's teeth at this translation.  Goju Ryu managed to be exported "as was", but wasn't as popular as Shotokan in Japan.   Motobu Choki was invited to demonstrate his version of Okinawan Kenpo (his preferred term rather than Shuri-Te or Tomari-Te), but his emphasis on Kumite wasn't what they wanted (broken bones and individuality wasn't what they were after).


Shotokan also made it to the US prior to WW2, Hawaii anyway That, coupled to the respect that the Americans developed for the fighting skills of the Japanese, I believe led to the massive popularity of Shotokan Karate in the Western world after WW2.  From this developed the world of Sports Karate, which will feature in the next Olympic games in Japan.  There is room in the Karate world for all forms of our shared love, but all the branches need to acknowledge the differences of their roots.  


From a personal point of view if time travel were possible, it would be interesting to see what a  modern sports Karateka and Motobu Choki would make of one another ☺


I am beholden to Noah Legel  for the inspiration for this blog. 🙏🙏🙏




Saturday, 30 November 2019

Silent Thought: Uncomfortably Numb



Yesterday's atrocity took my mind back to 1996.  I had been due to go to Harbour Exchange on Friday, 9th February to check on systems I was responsible for in Harbour Exchange on Canary Wharf.  The day before, I finished what I was working on early, so decided to change my plans and go down to Harbour Exchange there and then.   I got off at South Quay station around 5pm and popped into the newsagents adjacent, before going to Harbour Exchange to do what I needed to do.

Little did I know how fortuitous that decision to turn out to be, as the following day, an IRA bomb was detonated in the car park next to South Quay station, at the same time as I had been there the day before.  The two people I saw in the Newsagents the day before were both killed in the blast, and it was a near miracle that only another 100 people were injured.   I was oh so lucky, but what happened next rammed it home.

It was thought to be a long shot, but I was immediately asked to accompany an Engineer to the building I had some responsibility for, to see whether we could get in to do a damage assessment.  As luck would have it, I used to live around the corner from the site, so when the cab we were in was stopped by police, we made our way on foot and I suggested a pedestrian entry point to the Engineer where we might get in.  There was only local Security on duty at that point, and we were let in as I was recognised.

What followed was to haunt me for a long time and left me numb.  We got the building in question, but the area was eerily quiet, and though  shielded from the masin blast, the severe damage that had occurred was readily apparent.  We completed the survey, and then came out and were immediately confronted by the police wanting to know who wanted to know what we were doing and how we got in.  Apparently it was still a live bomb site, as a second device was considered a strong possibility.  At that point, the whole situation hit home hard, both the luck I had and the enormity of the risk I had put myself in.

I felt numb for a long time afterwards, and each terrorist incident brings it back home.  My response to yesterday was to sink myself into Karate, both in practice at home and into today's dojo session.  Today's "Silent thought" was much needed, as was the workout that followed (basics plus Naihanchi Drills).   Please spare a thought for all the innocent victims of Terrorism, and the bravery of those who confront them 🙏🙏🙏

Sunday, 24 November 2019

Dojo drilling




This Saturday in the Dojo was a day for drills, both long and short.  I'm still feeling the effects of the chest infection, but this seems to hit most during the warm up, but didn't stop me doing most of the lesson.  Still, maybe a trip back to the doctors beckons 😩 
The warm up - including rolls breakfalls and shrimping, along with the usual stretches, was followed by Naihanchi Shodan.   This was followed up with a series of short drills with different partners, including:

Back breakfall, kicks onto pads
Elbow - Drag through - Take down
Alternate grasping on inside
Alternate grasping on inside, with knees and kicks



Video from the Grasping and legwork drill

This was followed by a Patrick McCarthy inspired drill. all done with the same partner, but built up in stages:

Attackers:Right hook
Defender: left hand uke, strike open palm to temple
Pull head into shoulder
Bump head with bicep bump using nukite (knife hand strike)
Slap back of head and bring toward elbow
Forearm strike.
Roll forearm over face to expose eye socket
Use rear forearm as lever
Headbutt and push away to finish

Then it was on to a Naihanchi based drill we have practiced before, with a slight variation of a looping hook following on from the hammer fist.  As usual with the long drills, it was built up in parts, practiced with different partners.  We also practiced the #1 elements as a solo form, before working through the whole drill.

The full drill, plus the solo form are detailed below for future reference, along with a video of the solo form for comparison at a later date.  As ever, a good workout and overall enjoyable session ☺☺☺

#1   LH jab                 #2 RH parry, head to right
#1  RH cross                 #2 LH parry, head to left
#1   LH hook                 #2 Step in, two handed upper arm block and spread (Nidan)
#1  RH hammer fist         #2 Step back, cross arm block
#1  LH looping hook      #2 Step in, two handed upper arm block, inc LH shuto to neck
#1  RH hook                 #2 Step back to cat stance, LH block
#1  LH backfist         #2 RH receive   
#1  Forearm  strike         #2 Naihanchi block, LH palm up RH palm down
#1  LH uppercut to ribs #2 RH Gedan Uke
#1 RH uppercut to ribs #2 LH Gedan Uke
#1 LH haito to kneck
#1 RH haito to kneck
#1 grasp behind kneck, using thumbs as 5th finger (gable lock)
#1 pull head down left, switch leg back
#1 left knee strike
#1 switch legs, move head right, right knee strike    #2 Head up, break out, link hands
#1 head butt



Solo form of drill


#1   LH jab
#1  RH cross
#1   LH hook
#1  RH hammer fist
#1  LH hook
#1  RH hook
#1  LH backfist
#1  Forearm  strike
#1  LH uppercut (to ribs)
#1 RH uppercut (to ribs)
#1 LH haito (to kneck)
#1 RH haito (to kneck)
#1 grasp (behind kneck), using thumbs as 5th finger (gable lock)
#1 pull (head) down left  switch leg back
#1 left knee strike
#1 switch legs, move (head) right right knee strike
#1 Release, regrab, head butt

Sunday, 17 November 2019

The Devil's in the Naihanchi


When we did the Naihanchi drill at the end of the Saturday session in the dojo, I asked my Sensei afterwards if he could let me see a copy of my attempt at the drill, which he kindly did,  as shown below:


Naihanchi is full of devillishly effective moves, which can be interpreted in a number ways, of which this flow drill is one.

We practiced the drill in five main parts and then tried to put it together as a flow at the end of the lesson.   I performed it as:

Part 1

Crash
Shuto neck strikes and head control, pull head down
Knee strikes

Part 2

Forearm strike
Drag through
Chin hold take down / opponent spin out 

Part 3 

Simultaneous arm drag and punch
Step through arm bar

Part 4

Opponent left hand lapel grab
Left hand to left hand control, right arm chop down on arm and back fist
Right hand to left hand control, left hand punch and back fist

Part 5

Stomping knee kick
Arm bar
Drag through and chin hold
Arm bar, hammer fist and push away

Part 5 should have been:

Stomping knee kick,
forearm strike to neck, which is blocked
then another stomping knee kick into arm bar into hammer fist to mastoid process

I missed the forearm strike and second stomping knee kick, then went to chin hold, before correcting into arm bar and hammer fist. Lots of good material there and not too bad for a first run through ☺☺☺