Showing posts with label Okinawan. Show all posts
Showing posts with label Okinawan. Show all posts

Wednesday, 8 April 2020

The ramblings of a nerd - My attempt to understand some of the history of Karate



As a novice, have been rambling through the foothills of karate history for a few months now, trying to make some sense in my own head as to how the complicated beast called karate came to be.  I have always been an avid history buff, so it was an absolute guarantee if I started karate, at some point I was going to dive into the history.   Given the oral tradition, there will always be points of accuracy and disagreements, but where possible I have tried to provide quotes or supporting material to what (I think I've found).  

I keep forgetting exactly what I've blogged, so I decided to put it all in one place so it is easier for me to find and for others to read if interested.  Comments always welcome. REY 08-04-20


Nerd life: A potted summary of the development of Modern period Karate




Saturday, 28 March 2020

Video dojo and feedback



Online training can't replace proper dojo sessions totally, because of the interactive part of karate that is needed to try out and improve actual combative techniques.  However, I have always been prepared to learn online where necessary and now is absolutely the right time to do this.

I can now attend three classes a week rather than one, as I am working from home, so there is a big plus for a start.   The live classes are then supplemented by doing kata and videoing it, and sharing with our Sensei.  They then provide feedback on how to improve your techniques.

Here is a short summary of the two midweek lessons for this week, plus links to a couple of videos of kata and kihon pracitce, as samples of what I do.  

The first midweek lesson was on Monday, 23/03.

After an extended warm up, Mokuso and formal greetings, we started off working on some aspects of fundamental techinques:

Uke - jodan uke, chudan uke, gidan uke
Uke on the pads, with potential uses as strikes
Kihon gata 1 - 4

Then closed out with 10 minutes of kata. 

It was a good work out, interesting working out the space for two working indoors.  Using zoom completely drained the iPad.  Took three days to recover it.

Rough kihon gata practice

The second midweek lesson was on Thursday 26/03

After an extended warm up, Mokuso and formal greetings, we started off working on the Quadrant drill, padwork first: Jab on pad, Cross on pad,Hook on pad, followed by practicing the whole in combination:

Jab, cross, hook

After that we looked at the defending moves:

Right hand parry, move head to right on jab
Left hand deflect, flow through into open hand strike to cross
Step in triangular parry and strike to hook

Followed by working on the parry, deflect / strike, triangle combination.

This was folowed bt looking at the second set of attacking moves, firstly on a solo pad and then in combination:

Hammerfist, looping left and hook

This was followed by kata warm down

MFirst phone ran out of charge after 40 minutes, lost five minutes in swapping phone over to back up,  Beginning to realise i=using zoom comes at a price.

 Another session today ro off to bed.  Please stay safe :!

Morning kata


Sunday, 8 March 2020

Dojo determination : An old dog trying to learn new tricks



Going into the Dojo on Saturday, I felt better than I have in a while.

Starting with the warm up, I managed the whole of that.  It included doing a backward breakfall and shrimping, followed doing a forward breakfall and cover.  I could never do forward rolls at school, and am not much better now, but this old dog still wants to try to learn new tricks.

To me it looks awful, but judge for yourself: My Sensei says I've made some progress with my forward breakfalls. 



Then came Mokosu and the formal opening.  Next week is grading, so we went into punches, receiving, kicks and other fundamentals.  For the first time in ages I managed to get through almost all of this, though I was struggling for breath a little on the last of the kicks.

Then it was on to Kata; As the next grading is the first at which I will need to perform (Naihanchi Shodan), this was more intensive than usual and included specific group tuition followed by performance.  I was a little disappointed with the performance as it was too rigid, with not enough flow 😐, but I know that is because of nerves and trying too hard.  Hopefully it will be good on the day.

Next came light sparring:  Kicks and punches, kicks, punches, kicks, punches and open hand strikes.  These were all done with different partners, and here I need to make an apology and take stock of my punching. I have instinctively started to hook upwards inside the guard when punching and it resulted in a couple of head shots to my training partner who was shorter than me.  So apologies Shell 😐😐, I need to adjust my techniques accordingly.  On the other hand, I seem to be getting the hang of open hand strikes, so not too bad.

The final part of the lesson Kihon kata on the pads, I need the first four for the next Grading, so I was doing one to five.  My kicks were certainly much better than last week. ☺☺
We also had a quick photo session for the end, for a group photo and kicks.   Plenty of hard work and some fun, a few lessons learnt and for once I felt overall I did myself justice.  Good session, and thank you too to Sensei Graham, as well as our regular Sensei, Ben and Alison 👊👍👍☺☺


Tuesday, 3 March 2020

Kata, Drills and Triangles, with a little bit of Tai Chi style



Saturday in the dojo was an interesting session, I learned maybe four things about both myself and my karate and they weigh out 50 - 50.  On the positives, I think my health is improving again, and my control in pairs is improving ☺☺.  On the negatives, I need to be pushing myself again and my kicking after exertion becomes very ragged 😞😞.  However, the big idea plus that made the lesson for me was the idea of triangles, I suppose it had been there all along, but the penny dropped when we varied a regular drill later in the session ☺☺☺.

We started with a regular warm up, but since I had been warming up for 10 minutes or so whilst watching my son, maybe I didn't need to attack it quite as much and it told shortly after when we did a form of circuit training:
Jump stepping in and out of rope ladder steps, receiving pad strikes using jodan uke, running round the outsides of a cone circuit, receiving pad strikes with tudan uke, forward rolling break falls, followed by mai geris to the pads  to close the circuit.

 I ran out of stream at end of first circuit, and my kicks were ragged as a result. I sat out most of the rest, but was encouraged to rejoin, so did last half of circuit with better kicks though still not brilliant,  so this is where I picked up the two negatives mentioned earlier: my ragged kicking after exertion and not re-joining without encouragement 😞😞.

Then it was time for Mokosu and formal start to the lesson, which opened with paired work with different partners.  This included:

Light sparring in various forms, including kicks and punches, kicks only and punches only.
Paired continuous contact drills, including taking the inside, gripping and breaking grip, gripping and breaking then striking
Paired Kicking drill, receiving right mawashi geri, left mawashi geri, right mawashi geri catchi, right mawashi geri step back, return mawashi geri

This is where I found that I was definitely improving my control in paired work ☺☺.  Was definitely so much better in the sparring and the kicking drill, well at least I thought so.

Then we were on to Kata - including Naihanchi Shodan tai chi style to open, I did performances of  Naihanchi Shodan and Naihanchi Nidan (which I was corrected for performing too slowly, oops too much Tensho and not enough of this kata 😞).  I went through forms of Naihanchi Sandan and Pinan Shodan, after which the higher grades did performances of their kata required for grading.

Then it was back to an old favourite to close out the session:  The Quadrant drill (single person practice shown here)


What we did in this session was the Quadrant drill with variations, using an expressly triangle form to receive and counter, explicitly to the part of the drill with hammer fist followed by two hooks.  It was there all along I suppose, but   the transition from receiving to striking with the forearm or elbow seems so simple when explained this way ☺☺. Another variation was that after head butt, the agressor finishes with a shoulder barge which the other partner had to avoid.

All in all, another excellent session of the dojo, with the big plus being that I realise my my stamina seems to be improving ☺☺☺☺

Thursday, 13 February 2020

Two 90 minute sessions, no time outs ☺☺



I definitely enjoyed last weekend's training.  Two 90 minute sessions without taking timeouts ☺  Still can't do the warm ups full on, but I do have some limits, due to age and over enthusiasm.  Hey ho, the results of growing old disgracefully; refusing to lay down and accept my lot ☺☺☺

On the Saturday, apart from the warm up, we went through:

Tegumi drills - including hooking hands; a more advanced hooking hands, jodan uke / punch drill;.
take punch, back slap to rib, slap to face, hammer fist to arm, hammer fist to face;pushing away and turning drill
Conditioning
Kata
Pad work - drills, including jodan-uke, tchudan-uke, gedan-uke, cross, jab, cross punch combinations.

On the Sunday it was a bo kobudo lesson, with guest Sensei Darren and Luke:

Warm up
Kihon katas
Sushi-no-kon, starting to learn the kata
Two person drills

Thoroughly enjoyed and thank you to my teachers and fellow students, for making two great days ☺☺


Saturday, 8 February 2020

What Karate lost, when it lost it's teeth.

Although Karate today is a relatively new Martial Art, it's roots lie in much older practical combative techniques.  However, it's effectiveness in this direction was firstly reduced by Itosu Anko for introduction into Okinawan schools, and the likes of Funokoshi Gichin for it's introduction into the Japanese mainstream of martial arts.  This was confirmed as the desired route of progress for Karate at the "meeting of masters" in 1936.   Apart from the Itosu Anko part, this is all documented is a conversation published by Iain Abernethy:

How did we lose the Bunkai?

This was to try to give Karate a future at a time that it was losing popularity, but resulted in budo versions that were superficial in fighting content.   The intervention of World War two just about completed the job, as again indicated the article, because many of the old masters passed away during the conflict, including Motobu Choki.  The ones that were left mostly continued to espouse the budo version of th art, and most of the documentary evidence which survived was of those styles.  So the practical content was mostly lost.

One of the few honourable exceptions was Motobu Choki, who first in 1927 (Okinawan Kenpo - Karate Jutsu: Kumite <Motobu / Shahan>) and then 1932 (My Art and Skill of Karate <Motobu / Quast / Motobu>), took time to provide some documentary evidence of what he felt was being lost.  This included:

Use of Makiwara
Paired drills
Kumite

Apart from saying why they were important, he even provided evidence of the paired work he was referring to, plus photographs of the techniques.  According to Iain Abernethy, he was only one of two people known to do this, and the other person's work appears to have been lost. 


 In the two books, you see descriptions of how to receive and redirect stikes, to open up your opponent for your own strikes.  Plus you see techniques that are undeniably effective but were removed from Budo karate such as knee strikes to vital areas and strikes and grabs to the groin.  Here are a few examples, 

Where your opponent punches with his right hand, move slightly to the side, receive and redirect with your right arm (soto uke) and strike with your left fist.  The picture below shows a body strike, but can also be done to the head.



Image from: https://romanwestfehling.wordpress.com/2013/09/03/kihon-kumite-und-kata-die-3-saulen-des-karate-do/



Where your opponent grabs you from behind. drop your weight and open your arms slightly (ala Naihanchi Nidan), twist slightly and stretch behind, to grab your opponent's testicles.




Photo’s from Iwai Tsuko’s “Motobu CHoki & Ryukyu Karate 2000, page57 (read from right to left). Description from “Motobu Choki – Karate My Art”, translated by Patrick & Yuriko McCarthy, page 100. - via attached link

Other drills included trapping both arms and executing a knee strike to the groin; blocking and trapping the right arm with the left, stepping in with the right leg and grabbing the testicles, or striking to the ribs with the right elbow; etc.

It was this kind of practice that was lost to Karate by the introduction of the budo forms, and in part due to the intervention of World War II.  In conclusion, as a result Karate had lost many of it's teeth.

Tuesday, 4 February 2020

Old Hopalong




I had both a lesson in the Dojo and an additional lesson booked for Saturday, so it just had to happen. We had an extended warm up in the dojo; after the normal running, sit ups, squatageris, and stretching, we practiced rolling out from full mount by trapping the head and one leg of the assailant, then we practiced avoid, then stun and avoid on a knife being pulled,  I ran out on the first element, so on the second element I was determined to give it ago.  I got a double palm strike in on the first run through and a single one on the second run through.  Then I felt like a sharp stab in my right calf as I carried on running.  Sure enough, the pain shot as soon as I stopped..... Seems like I've pulled my calf muscle 😞😞😞

I wanted to carry on, but had to sit out various parts of the lesson.  We went from the knife drills to Mokusu and the formal opening, Then on to fundamentals, punches, receiving techniques, and kicks - had to sit out that part, and would have certainly struggled with the 10 mid to high level Mawashi geris, even on a good day.

After that, I was back into the lesson, for two person drills and Kata, I got to practice Naihanchi Nidan with the more advanced group before going back to doing Naihanchi Shodan, which ended with doing another solo performance then a couple more paired drills.  Plenty of variety as usual, and relieved to get to the end of it without doing myself anny further mischief. 😌😌😌

Being a glutton for punishment, I  decided to go ahead with thr additional lesson.  The main purpose of this was to work on Tensho with my Sensei, especially the way in which the breathing ties into the actions and basics such as the Sanchin dachi stance abd step throughs.   However, to make up for what I had missed on the main lesson, we also went over the fundamentals again, this time including kicks.  The kicks were more about form than  repetition, concentrating on mainly my Yoko and Ushiro geri 
techniques, followed by another run through of Naihanchi Shodan.

I must be kind of mad, because I also went to the Monday evening session as I wasn't at work.  Whilst I was a little ginger on my right leg, I managed to participate in most of the lesson.  I missed out on some of the kicks, and got a sharp reminder when a roll out from under went slightly awry, but otherwise was pleasantly surprised. ☺☺☺

Most of the lesson was taken up by working on paired drills, including revisions to the quadrant drill, kicking drills, take downs and escape from take downs (trap and roll).  We finished off with about thirty minutes working on the Hamahiga nunchuku kata.   A really enjoyable lesson, and I think I must have been lucky with the muscle injury. ☺☺☺

Friday, 31 January 2020

Karate Soup - The Recipes of Motobu Choki



One of the earlier books by Motobu Choki: Okinawan Kenpo - Karate Jutsu: Kumite (tr. Eric Shahan), has a section on "Essential knowledge about medical ttreatment", presumably on the grounds that once you have consensually beaten each other up, you need to know how to take care of the aftermath ☺.  Here is one of my favourites, paraphrased somewhat:

Goat Soup - a treatment for Uchi-chi

(Uchi-chi being bruises)

4 ro 5 slices of Goat meat are required, 2.5 to 3kg, to be soaked in the juice of Nine Year Mother oranges (Kunenbo),  There needs to be enough juice to completely immerse the Goat meat.This needs to be boiled until the liquid has been reduced by half, then remove from the heat.

You must then drink the juice and eat the meat for the next three days to reduce the bruising.

Bone-in-chicken Soup

In areas where Goat meat cannot be obtained, 2.5 to 4kg of Bone-in-chicken can be used, along with a cup of ginger in vinegar.  Again this needs to be boiled until the liquid has been reduced by half.  If again this is eaten for three days, a distinct improvement should be noticed.

The next bit gave me a bit of a laugh:

"You should also note that this samr chicken meat boiled in vinegar and ginger can be used to treat inflammation from getting kicked in the balls.  If eaten for two to three days in a row you will see distinct improvement" 😂😂😂😂

Schoolboy humour I know, but it made me laugh ☺☺

Wednesday, 29 January 2020

Dojo determination - round two..



Things still aren't right, I can walk distances just fine, but explosive exercise is still taking it out of me. Saturday in the dojo was more determination than substance but got to keep going....

I love the way our Sensei vary the content of the lessons, always keeps you on your toes ☺☺  Was a fairly regular warm up today, but hey we need those one in a while.  After the warm up, most of the lesson was drill and pad work, plus conditioning and what lesson would be complete without kata?:  We had in there (but not necessarily in that order):

Naihanchi drill, - crash and control, knee strikes , elbow to head, plush away
Conditioning. kicks (low, mid and high Mawashi-geri) and blocks forearm, inside and ouside Chudan-uke, Gedan uke.  First time I tried high Mawashi geri (always got to push)
Tegumi drill take punch, trap, slap to ribs, slap to face, hammerfist to arm, hammer fist to face
Pad work, including pad drills and inside leg kicks
Desensitising, slapping around the face
Kata - including be taught by a black belt in training
Naihanchi Nidan drill, bear hug from behind, sink, break by lifting arms, control arm, turn, elbow to ribs, turn again, strike.

I had to miss partway through, due to a chest flair up, but pushed myself as far as I could ☺☺  Plus I got to spend a bit more time than usual doing paired work with my Sensei and actually tried for a high Mawashi geri for the first time ☺☺

As an addendum, had to take today off work with a bad flair up and possibly found out why I am still struggling 🙀🙀🙀  Seems my chest is clear, but the infection just moved house and lodged itself in my upper respiratory system. so now on to round two....

Thursday, 23 January 2020

Tensho and Breathing Kata

Under a Facebook Mentorship, have been practicing Tensho and a breathing kata loosely based on it.  Apparently these are progressing nicely, so thought I would share   Thank you Noah Legel ☺☺

Breathing kata

In this kata, am concentrating on taking deep breaths and releasing after a number of seconds.


Tensho

In Tensho, I am concentrating on matching controlled breathing to the actions.

And then I can't resist playing with the videos 


Wednesday, 22 January 2020

Another Saturday in the dojo



Saturday was a mix in the dojo, the familiar, something not so familiar, and something new ☺  The warm up contained sprints, so was a bit challenging, then there was Mokuso and the formalities, followed by Kata. this time Naihanchi Shodan only.  

Following that was something different:  Dealing with multiple attackers, deflecting the first person into the path of the second and third,  then dealing with them in turn.  We rotated through the set of four, with the three attackers wearing mitts, and the defender hand pads, to practice punching the attackers.

The third part of the lesson constisted of paired drills - step by step build up of a series of different drills.  Over leg take downs and hip throws featured as ending techniques, amongst others.  Then in the same pairs, we did hooking hands drills and conditioning.

The final part of the lesson featured kobudo, working on two or three of the more advanced Bo kihon kata.  Still struggling a bit with the breathing and recovery, but enjoyable as ever ☺☺☺

Tuesday, 21 January 2020

A Nerd Blog: The birth of Karate


Karate day celebrates the first meeting of what reads as a "Who's who" of Karate at the time, on October 25, 1936.  Those who were involved included Hanashiro Chomo, Kyan Chotoku, Motobu Choki, Miyagi Chojun, Kyoda Juhatsu, Chibana Choshin, Gusukuma Shinpan, Oroku Chotei, and Nakasone Genwa.

The meeting is primarily known for the general agreement to adopt the name Karate (using the kanji "空手"), in place of Toudi, Tode, Tii or Te, and in place of the kanji "唐手", meaning "Chinese Hand".   However, there were other things discussed that I wasn't aware of, or was only slightly aware of.  These are summarised below:

There were only three Kata considered as "Fundamental" that were presented at the meeting:  Naihanchi, Sanchin and Tencho (Miyagi Chojun).  Traditional kata should be preserved as old or classic kata, and new kata invented for the promotion of Karate nationwide (I would suppose this to mean as in Japan as a whole), through schools, universities and youth schools (the birth of shotokan?, again Miyagi Chojun).   Then there is the advocacy of Katate uniform, by both Miyagi Chojun and Furukawa Gizaburo.   The biggest surprise of all though, is even at this stage, the advent of sports Karate was introduced by Furukawa Gizaburo.  So Traditional, educational and sports Karate were all considered from the very start.

What also surprised me, but I suppose is a direct indicator of how secretive the development of techniques had been until this stage, was how unaware some of the meetings attendees were of how things had developed until this point.  This is evinced by the interchange between Ota Choshiki and Choki Motobu:

"Ota: Mr. Motobu, who taught you karate?

Choki Motobu: I learned karate from Master Itosu, Master Sakuma and Master Matsumora of Tomari village.

Ota: I thought you created your own karate on your own without learning from karate masters.

Choki Motobu: (laughing) No, I did not create my karate on my own."

Oh what other things must have been discussed at the subsequent meetings......

Thank you to Scot Mertz and his article on Karate Day:

  https://ryuhoryu.blogspot.com/2018/10/karate-day.html

On which these observations are based.

Saturday, 11 January 2020

Breathing in Deeply (Tensho)


With my recent chest infection, I thought it wouldn't be a bad idea to work on my breathing.   I took a facebook mentorship under my friend Noah Legel, in order to work on breathing techniques.

Under his supervision, I am trying to work with the kata Tensho, in two separate ways. 

1) Deep breathing, taking deep breaths to and exhaling using the diaphragm, after 6 seconds.  
2) Breathing to match actions, as with the breathing pattern used in Tensho, again exhaling from the diaphragm.

I started out using a short step sequence, with the 6 second breathing, then went onto a longer step sequence, again with the six second pattern.   Currently I am working on the hand sequences, with breathing to match.

I have done some videos to demonstrate my progress to Noah, and these are shown below for anyone who is interested in what I am up to.  


Tensho Steps - First Attempt



Tensho Steps - 6 seconds



Tensho Hands


 Today for the first time in ages, I was able to train without wheezing ot coughing, but now I've got to work on my stamina again, as that has suffered somewhat over the last six or seven weeks, whilst I have had the infection.

So I will keep on keeping on...... ☺☺☺


Monday, 30 December 2019

Addendum to:Okinawan Villages: The hidden roots of Okinawan Kobudo and Tiy?


I didn't expect to be able to add very much to my original blog Okinawan Villages: The hidden roots of Okinawan Kobudo and Tiy?  anytime soon:  However, getting to chat to someone trained in Maeda-Ryu seems a worthwhile addition ☺  

The supporting material is that Maeda bo is actually taught as "bujitsu" as well as existing as the cultural bo-jutsu village dance.   This is taught by Tomimoto sensei as a functional system, with kata buried in it, though not widely taught.  There was also a Sai element, but this is no longer taught.  The style of Maeda Ryu was identified as being around possibly 600 years old.

Whilst this is not proof of age or origin, as there is no supporting documentary evidence, it does show that the functional side of Maeda bo actually exists.  

Source: Jesse Enkamp, student of Tomimoto sensei in Maeda Ryu (thank you Jesse-san) ☺ 

Wednesday, 18 December 2019

A Matter of Intent



Saturday's session in the dojo was one of the most intense I have done,  My chest infection still hasn't properly cleared, but it doesn't stop me from giving everything that I can.  The start to the lesson gave nothing away, with a fairly traditional warm up, the usual formal opening then conditioning to the body and legs with a partner.

Then things went up a gear, we split into pairs and started to do pad line work with kicks.  Each time we had to land in front to allow us to kick alternately with the right and left legs.  We went through Mawashi geri, Mai geri, Ushiro geri, and Yoku geri, I lost count of how many reps we did, but it sapped me enough that on the last one I missed entirely with one kick and hit my partner's knee 😞  That was the point at which I sat it out for a while.

What I missed was the following section on combination line work:   Alternate Mawashi geri, Mai geri, Ushiro geri, and Yoku geri kicks, landing on the front foot.  I went back in for the next section though, which was circuit work, half the class holding pads and the other half doing the circuit to work on them.  Techniques to be carried out with swift repetitions for about 30 to 45 seconds included: right leg Mawashi geris, forearm smashes, Hisa geris, left leg Mawashi geris, punoch combinations including jab, cross, hook, and a couple more.  I dropped out on pad 4, but rejoined for the last few (7 or 8 pad stations set up).  Our Sensei said they wanted to push us and they did.

After that, it was on to Kata.  I started off with the advanced group and went through the Naihanchis, before joining the other students for the (almost) final part of the lesson.  We did individual performances of Naihanchi Shodan, and for the first time I can remember, was complimented on the intent of my kata.  Apparently I seriously looked as if I wanted to do damage 😊😊😊

We had a few minutes left, and I got yo be Sensei's demonstration partner for some basic Naihanchi work.   That hasn't happened too often either, so I think I can take from this lesson obvious signs of improvement 😊😊😊

Sunday, 15 December 2019

Okinawan Villages: The hidden roots of Okinawan Kobudo and Tiy?



It isn't a popular concept that the roots of Okinawan Kobudo and Tiy are intertwined.  In his recent book "The transformation of Tiy", Sensei Koei Nohara  states (p38 English edition), "Further, bo kata can be performed by using ones hands instead of using a bo and, vice versa, tiy kata can be performed using a bo.  Bo kata that were developed in the 13th century such as Maeda no kon, Shirataru no kon, and Ufugusku no kon are basically the same as Maeda no te, Shirataru no te, and Ufugusku no te."  There is no reference material given with this, but given the dates and the oral, secretive and ritual nature of the history of Karate, I don't suppose that is too unusual.

I wanted to see whether this perception was commonly held, and posted in a group on Facebook to see what other karateka thought.  The response was fairly negative, as I guess the possibility goes against most people's preconceptions, which I guess is that Kobudo and Karate are different disciplines.  Still, it piqued my interest and I decided to look further into it.  Being relative novice to Karate, I don't have a massive library of material to draw on, so turned to the Internet and found a YouTube video of a kata: Maeda Bo Chugata

I asked my own Sensei whether he was familiar with this particular kata, but he wasn't so there I left things for a while, until I enquired of Andreas Quast as to whether there was a time line for Okinawan history, which he kindly provided Periodization of Ryukyuan History   I also asked him whether he had come across the Maeda bo kata.  He said that he had, and had trained with the person in the video.  He suggested that if I wanted to know more, I should get in touch with Cezar Borkowski.  Cezar kindly responded and advised that Maeda is indeed the oldest extanct bo kata, with a provenance of over 500 years as a continuous fighting tradition, "now under the direction of Tomimoto and Arakaki sensei". He also provided a link to his own article: The Revolution of Ryu Kyu Kobudo.

Cezar made comment on the video of the Maeda kata that "For over 500 years Maeda-bojutsu has been preserved and practiced in the Maeda village of Urasoe-shi. This highly combative tradition, focuses on the bo, but also includes sai, as well as a close-quarter empty hand grappling methods. Arakaki-sensei (senior disciple of Tomimoto Yuko) performs the middle level form."

On the origins of the bo in his article, he indicates of all the Kobudo weapons in use today, that the bo is the one that is most uniquely Okinawan" To quote from his article "The bo is an ancient implement employed in early Shamanistic rituals. At the religion’s core is the sanctity of seji or a deep spiritual power. Devotees believe that the seji is the source of power for the shaman, warrior or ruler.
Shamanistic ceremonies included sacred omoro songs and kami dances that were often performed with a bo. Special bo dances were an integral component of festivals celebrating terukawa (sun), terushino (moon) and teda (sunshine). These elaborate productions also marked the harvest, commemorated special historical events and honoured ancestors. Colourfully costumed village strongmen carrying bo would perform martial-like routines to the pulsating rhythm of cymbals and drums. In my view, the similarity of these routines to weapons kata is unmistakable, and these dances were likely the forerunners of modern kobudo forms."
Later in his article, he cites that there are "more than one hundred village bo routines exist. They are often performed by folkloric groups at Okinawan festivals which include the Tsunahiki (giant tug-of- war), dragon boat races, National Sport and Fitness Day, as well as many local celebrations. These exciting weapons exhibitions often include musical accompaniment in the form of cymbal clanging, Taiko drumming, and a unique Okinawan style of whistling."
Observations and conclusions :  From Cezar Borowski's article, it is clear to see that much of the antique cultural use and context for the use of the bo has been passed down in Okinawan village tradition.  From the comment made by Cezar Borowski on the Maeda bo Chugata video, the family of kata not only include bo, but also sai and "close quarter empty hand grappling methods", could this be construed as a form of Tiy?

I would suggest that the Okinawan village routines (including dance) might well contain the elemental roots of both Okinawan bojutsu and Tiy. On a historical note, whilst Sensei Nohara places the Maeda Kata in the 13th Century and the 500 year figure quoted by Cezar Borowski places the kata round about the 15th century, these both fall within the Gusuku-jidai period (early period of old Ryukyu period) as shown in Andreas Quast's timeline.


Friday, 13 December 2019

Sit up, Stand up....


Saturday's lesson was up to the usual high standard, with new things to learn ☺☺.  This time there was a Naihanchi drill starting from sitting, followed by a short Pinan Godan drill, which could also be taken as a Passai drill.

The warm up consisted of break falls, kami rolls, runs with press ups and situps, followed by stretches. Then after the formal opening, we did Kata practice.  My part of the class work on the Naihanchi katas, whilst the intermediate grades went on to the Pinans and the high grades went up to Passai (I think).

From there we were onto the drills.  The Naihanchi drill starts with both partners sitting side by side.  One takes the role of aggressor and the other of the defender, taking it in turns to alternate.  The drill was built up in segments with the same partner and once the whole drill was practiced, we did a pad work version so that the strikes could be tried with  something akin to full force.  The drill in its entirety opens with a backhand slab from the aggressor. The defender traps and extends the arm and applies an arm bar, followed by a hammer first just behind the ear.  The defender then rises and turns towards the attacker, controlling the head and applying two elbow strikes.  The head still being controlled, the defender applies two knee strikes then pushes away and runs to safety.

From a theoretical point of view it was explained how started how we started off as the reactors at the start of the drill, but end up as the actors by the end.  This needs repeating regularly at home, to ingrain the skills needed.  The next to last part of the lesson consisted of the Pinan Godan drill.  Starting off from a bridge, the aggressor traps and extends the left arm to clear for the next attack. This is a forearm strike to the side of the neck, and is followed by a cross choke.Then leads to a hip throw, hammer fist to side of head, stamp then push away, getting to safety.

The final 10 minutes, we did some kobudo, practicing the Bo Shodan and Nidan kihon Kata ☺☺

Practical note, for the hip throw after the cross choke.  The thrower keeps choking the opponent and the arms act as a lever.  The right foot of the thrower goes in between the opponent;s feet to act as a pivot.  Turning the body anti-clockwise, the left heel goes in front of the opponent;s left foot.   The right foot of the thrower goes to the outside of the opponent's right foot, and the thrower drops into the opponent and executes the technique over the right hip / thigh. ☺☺

Regards, 
Robert Y 13/12/2019