Sunday, 3 January 2021

A Nerd post, SanZhan, Sanchin and Seisan

This isn't a historical post, let's make this clear; rather it's a train of thought based upon observations I have made, in part based on some presented material I have been exposed to.   The link between Seisan and SanZhan I looked at in one of my previous blogs:


Seisan as nerd and for health

However, I wanted to have another look at SanZhan and the route started again with"Karate Nerd in China"  Jesse had somebody named Will helping him on the journey, so I decided to look him up.  This turned out tp be Will Wain-Williams, who has his own YouTube channel, "Monkey Steals Peach", and there, sure enough, was even more material from the Jesse Enkamp trip, including the full form of SanZhan Jesse had referred to.

Also, there was under a Subsection, "Monkey offers Peach". a whole archive of the different forms of SanZhan that Will had come across in his travels:

Monkey gives Peach - SanZhan Archive (no longer available)

The interesting thing was, Will identified the kata associated with it as Sanchin, not Seisan.  In truth, that ties in with the various names I seem to have heard for both Kata, SanZhan and Sanchin both refer to the number three, one of the popular names for the form and kata being the "three battles".  Seisan apparently refers to the number 13.  There is is a large amount of reference material which refers to Sanchin being specifically brought over to Okinawa from China, but not a great deal stated about Seisan.

However, apart from Jesse's video, there are other reference points that cite Seisan being linked to SanZhan, so this set a seed that both Seisan and Sanchin are related and derived from the same Chinese form, SanZhan. Sanchin seems to concentrate on the similar opening elements found in each of the different forms of SanZhan, while the diverse forms of Seisan, reflect the many variations of SanZhan found in China. Sanchin concentrates on very specific core techniques taught in the styles of karate where it is used as the base kata, whilst Seisan incorporates the diverse techniques used in fighting.

I decided to ask Will about this, and whilst he was knowledgeable about the Sanchin relationship to SanZhan, he referred me to an interview he did with Russ Smith (author of  "Principle-Driven Skill Development: for Traditional Martial arts"), for further insight.

Russ Smith - SanZhan, Sanchin and Seisan

Russ Smith in the interview gives his theory, having studied both Five Ancestors Boxing and Goju Ryu, Seisan is a four directional version of SanZhan.  So, SanZhan could be the root form of both Sanchin and Seisan.  Sanchin being the core and Seisan adding in the other elements.

For the sake of completeness, I have added a link to the forms of Seisan I found in my search for the first blog.

YouTube Playlists (Seisan)

I would be interested to hear what other people think.


December Blues and Grading


The month of December was a strange one, work taking up far more time than usual at this time of year.  Something seemed to happen most weekends, and even the time between Christmas and the New Year was busy.  At least I had some days leave left to take, so that broke things up a little.

04 12 Kata Tai Chi style

Karate had to take a back seat in repect of being able to make formal lessons, but still formed a part of unwinding.  Usually in the form of Kata or fundamentals practice, as at the start of the month we were told that we would be grading.  Since at the stt of the Covid-19 outbreak, both my and my son missed out due to him having a cold, and us not being able to attend, this seemed like a really good end to the year 

09 12 Naihanchis

However, my workload lead to me missing a good few lessons, and I began to think that maybe I wouldn't be allowed to grade.  Our Sensei had arranged a session of just me and my son outdoors with themselves, but before we even discussed dates, of course Covid-19 struck again and the infection rates around our area rapidly started to grow, so no grading any way.  😞😞 

12 !2 Short Training

Most of the lessons in December had been geared towards grading, and in my own time that is what I had been practicing, so it felt like a real downer to lose out a second time.   However, a little while later, I got a pleasant surprise.   Over the last two weekends before Christmas, my Sensei told us that they would be holding gradings over Zoom for those that were ready to grade at the beginner and intermediate grades.   Both me and my son were told that we would be grading in the second session, on the Sunday before Christmas 😀😀

19 12 Practice

More practice was in order, and I went through what I knew to be in the grading a good few                    times before the day itself.   It was a good distraction from both home and work (though all have been in the same place for several months now), and there were a few early morning butterflys.  I know my kicks are the weakest part of my repetoire, and tried to work on my Ushiro and Yoku geri kicks.

20 12 Cant sleep

I chatted with my Sensei before the grading and worked on a way to try to improve it, but it still has a long way to go.  The work on the Yoku geri appears to have paid off.  On the day before the grading we had a lesson with Jamie Clubb, about anti grappling techniques; its not often my son likes to work with me in these situations, as there isn't much room for two people to work together inside, but we gave it a go on this occasion.  A few bits and pieces nearly took a hit, but it was fun 😀😀

20 12 Grading - kata

On the 20th.- the day of the grading, as I said, I had a few early morning nerves so I practiced some more.  I needed have worried, I passed with a B grade.  It could have been better, as my Ushiro and Mawashi geri kicks were picked out as needing more work and the kata could definitely have been a bit sharper.  But it wasn't too shabby and now I'm a blue belt. 😁😁

27 12 Time to work off the excess

The was just one more lesson before Christmas, was was in the form of a knowledge test and pad work, then no more lessons until the New Year.  I used a little bit of karate practice to burn off some of the Christmas excesses, and which overall passed quite peacefully for our household.

So hears to wishing all of you who take the time to read a Happy New Year, and hope it's much better than the last.  Thank you for sticking with me 😀😀🙏

0512

Naihanchi
Naihanchi drill 3, solo and on pads with pre empt on start and flank, vital points and incidental strikes eg forearm into brainstem before the neck crank

1012

Grading routine Fundamentals, Kihon, Kata

1712
Grading routine
Fundamentals, Kihon, Kata

1912
Jamie Clubb lesson
Anti grappling techniques, recovery from the floor

2012
Grading, fundamentals, kihon, kata

2112

Last lesson, attended in part
Spotlight on individuals - explaining fundamentals, padwork, teiso, hammer fist, elbow

Tuesday, 8 December 2020

Seisan, (As a Nerd and for Health)

 




Seisan (As a Nerd and for Health)

I really enjoyed Jesse Enkamp's video series "Karate Nerd in China", and was fascinated by his finding of "Incense Shop Boxing" as the descendant of "Monk Fist Boxing", mentioned in "The Bubishi".  This lead to one Jesse Enkamp's  follow up videos: The Oldest Kata in Karate, featuring Seisan.

When I got the chance to join in with a lesson by PJ Broomy, by video link, I found out that one of the katas taught in his syllabus is Seisan, and it's opening was fairly similar to another kata I had learnt as a way of practicing breathing techniques, Tensho.  An idea was set in my mind to learn the kata with a fourfold purpose:

  • To be able to join in any other lesson with PJ by having a common kata
  • As a piece of living history
  • As mental stimulation
  • To add another kata that could be used for practicing breathing techniques
PJ promised to video the kata for me, and duly it arrived a few weeks later via Facebook messenger, and during the video PJ said that he was not certain of the provenance of the version of the kata. During his video, Jesse had mentioned that although there were versions of the kata in virtually all styles of karate with similar starts and end points, there were many different mid sections, due to lots of the middle part of the Chinese form being cut out or greatly altered, so that set me a Nerd challenge:
  • To identify which form of the Kata practiced by other styles resembled the one I was learning
Firstly to the kata itself, I have been trying to learn it for about three weeks now, and can mostly remember the framework of the kata. though my knowledge of the precise techniques and phrasing is very much a work in progress and I can only go through it slowly.  However, it is still enough to be able to use it as an extra kata to do deep breathing exercises to, thanks to my earlier learning of Tensho.  

Her is the first videoed run through of the kata:


Now on to the Nerd part, I decided to search Youtube for the versions of the kata  practiced by the various styles (the full set is in the playlist links at the end of the blog, but three in particular I thought to be reasonable base prospects:

1) Aregaki Seisan

Jesse Enkamp mentioned in "The Oldest Kata in Karate" video that Aregaki Seisho peformed the kata at a demonstration for the Chinese Sapposhi at the Ochayagoten in 1867.  My search unearthed a video of the Bubishi translator himself, Hanshi Patrick McCarthy, performing the kata: 

A very intricate kata, but not the one I was trying to learn 😞.

2) Matsumura Seisan

I seem to recall from a number of sources that Seisan was a kata favoured by Matsumura, but unfortunately I can't remember them.  However I do remember reading an article by Scot Mertz: 
"Bushi Matsumura Sokon" (Oct 2018), in which he mentions that Matsumura made two trips to China as an envoy in 1826 and 1860, though the first is attributed as family legend.  However it is suggested that on the first trip he studied both traditional and military martial arts, and might have been first introduced to the idea of "forms" or "kata". 

One of his students, Kyan Chotoku, certainly taught the kata.  The Shorin Ryu family of styles lay claim to this version of the kata, but there are many versions, some bladed and some more front facing. I chose the below to represent this form, as it explicitly lays claim to follow the Matsumura version:


To my untrained eye this appear to be similar to, but slightly less complicated than the Aregaki version, so again not what I was learning 😞.

3. Goju Ryu Seisan

Myagi Chojun the founder of Goju Ryu, went to China himself firstly in 1915-1917, then again in 1936.  Apparently he went for a third time as well, but I can't find the dates for that.  He studied originally with Aragaki Ryu Ko (no relation of Aragaki Seisho)  for two to three years (1899 to 1902) then for 13 years with Higaonna Kanryo (1902 to 1915).  Whilst in China he studied at least Chuguko Kempo and Whooping Crane Gu Fu. <sources http://www.ogkk.eu/historymaster/masters/chojun_miyagi.htm

Where he learnt Seisan is never confirmed, though apparently Higaonna, Kanryo taught a version (possibly that of Aragaki, Seisho), and the form obviously existed at the time in China.  So plenty of potential and varied sources for Myagi, Chojun to have learnt it from, as with Matsumura Sokon.

The video I chose to look at was that of Higaonna Morio (no relation to Higaonna Kanryo):


Bingo. Third time lucky, it seems that this one is the basis of the one I have the pleasure to be learning 😊😊

As a follow up to this, I also found this video of the application of the Goju Ryu version of Seisan by Iain Abernethy (who my Sensei rate highly):

I also recognise that Paul Enfield does a mean line in interpretation of the kata, but way too technical for me at my level. 😕

If anyone knows more about the history of the kata from the Aragaki, Matsumura of Miyagi lineages, would love to find out about it. 😊😊.  I will leave the other versions out at this stage, simply to avoid the possible information overload it might might cause me.  If there is enough there for another blog, would love to share that too.

Youtube Watch list


Saturday, 5 December 2020

Never give up, never give in


The month of November, going into December you could say has been a testing one.   Work has been manic, having had to work the last two weekends and again this weekend, I have managed to train at least once a week, but sometimes that has been it in some weeks, apart from short snatches of kata or drills here or there.


Naihanchi Drills 0511

It has been somewhat challenging at home too, with the ups and down of mood and tension that goes with four people being at home all the time.  The separation needed doesn't always materialise and things can be magnified many times over as a result, but we have to keep on going.

Naihanchi after the lesson 0711

That said, I did manage to fit in a lesson with PJ Broomy at the start of November, and led to something a little different later on.  From my own dojo's perspective, we have been concentrating mainly on kata, the Naihanchi pad drills and fundamentals, mostly online due to the lockdown (all online for me of course).

More Naihanchi, drills and kata 1411

One of the signs that I, and fellow students of a similar grade, are making progress is that we have now started to be shown Naihanchi Sandan and perform it in lessons.  At the start of the Covid-19 crisis, my only kata to perform was Naihanchi Shodan, but zoom lessons have by their solo nature for practice have included kata as a strong element of our lessons.

Kata and Naihanch drills 1911

Our Sensei also keep asking us to provide performance videos of our kata, so that they can check on progress individually.  This has resulted in a good amount of feedback, which I like to think has gone a long way towards the progress.  Along with lots of practice of course.

2111 Lesson Part 1

One of the lessons we did, I videoed my part for the whole session, as a sample record of what we are doing and guess what, it was fundamentals plus the Naihanchi drills. The good thing about this is that it allows me compare what I do now against what I was doing when I started ☺☺☺

2111 Lesson Part 2

The good thing about that, is I got to realise the improvements I have made over time.  They are only small ones on a day to day basis, but over two or more years they mount up to quite a lot of progress.  As always though, there is still room for improvement.  That's an attitude I always want to keep, as nothing I do will ever be perfect.

2211 Lesson Part 3

Sometimes, when work is demanding and home life is problematic, an escape is needed.  Karate easily provided that during the summer months, with space in the garden to train and get away from all the other issues for a while, but then comes autumn and winter.  The weather isn't so clement and night draws in.

2111 Part 4

The first victim was kobudo, as space indoors even during the daytime, doesn't allow for the use of bo and nunchaku, the weapons taught primarily in our dojo.  Them the number of lessons I could attend dropped off, due to me having to work my full and sometimes extended hours, to meet project requirements and catch up on basics.  Due to family needs, the space available later in the day is far less than the earlier hours.
2111 Part 5

I found myself drifting back towards online life and gaming, which before karate had always been my release.  But it is nowhere near as mentally challenging or gives the self discipline and physical outlet I need to cope physically with my medical needs or mentally, to combat the current circumstances.  Fortunately a friend had inadvertently offered a lifeline.

2111 Kata after the lesson

When the "Karate Nerd in China" came out in December / January, I was an avid viewer, and the series piqued my interest in the "oldest kata" in karate, Seisan.  My lesson with PJ Broomy at the start of the month had me frustrated, because I couldn't join in directly with the kata part.  They do Tekki Shodan, but not as a part of their core, but they do Seisan.

Seisan, first part

PJ kindly shared a video of him doing the kata, with detail, so I set myself a challenge: To learn it.  I did this with a twofold purpose, it could be used as a breathing kata to add on to Tensho, that I already practice, and to know I kata I could do if I do another online lesson with PJ's dojo.  The history also fascinates me, so I think it will be the source of two further blogs: Nerd meets Practice and then a pure Nerd blog, in truth the first one is part way there.  That's another challenge, the mental stimulus.

2811 Kata cool down

So now I'm back to training more and today is the last weekend scheduled I have to do project work, so there is light at the end of at least two tunnels (the other is more personal, so not for here).  I have even gone back to the tai cho kata form of Naihanchi Shodan, inspired by Robey Jenkins, and added Noah Legel's Tensho to the mix for cardio and relaxation.

2911 kata - Naihanchi Shodan and Nidan, Tensho

So my motto has to be "Never give up, never give in" and I want to say thank you to my son Brendan, and my Sensei Ben and Alison for the source of determination and perseverance, and my online mentors, Robey Jenkins, Noah Legel and PJ Broomy, for the direction in how to adapt what I do ☺☺☺☺  Also, a big thank you to all of my extended dojo family (Hanshi Nohara, Senseis Craig, Darren and Graham, Elsha, Jack, Sam and all) for giving me the reason to continue 🙏🙏🙏.


3011 Rotating the strike

0211

Early morning lesson with PJ Broomy
Following along with a regular dojo class

0511

Kata,
Kihon Gata
Naihainchi pad drills #1-3

0212 Early Morning kata

0711

Kata
Kihon Gata
Naihanchi pad drills #1-2

1211

Fundamentals

Punches, receiving techniques, kicks, shuto, hisa-geri, uke
Kihon gata, combinations
Kata and performance

1411

Kick, punch called combinations, turns and combinations
Naihanchi drills 1 and 2 padwork
Kata

2111

Fundamentals, punches, receiving techniques. kicks, etc.
Naihanchi drill #1, elements and drill
Kata

0312 Kata Tai Chi Style

2811

Jamie Clubb lesson, sprawls, spear take downs, going to ground, knee control, breaking grasps, going to the back, etc.

3011

Kata
Rotation and elbow strikes, round the clock moving the nearest foot and round the clock with back foot as the pivot
Naihanchi drills

0312

Kata
The four basic kicks, turning ushiro geri on an uke, mai gei and mawashi geri in self defence
Naihanchi drill one with variations, including turning to get sight of a second attacker and being taken to ground on the knee strike and recovery.








Sunday, 15 November 2020

Naihanchi drills


The key kata of my style is Naihanchi Shodan, and in essence for us "all things are Naihanchi" in basic techniques.   With all the time spent on online sessions, my Sensei have started to present a series of pad drills centred on the kata, for use in lessons and to be tested as a part of gradings. 

This is my attempt to document them to refer back to, and where I can spot the relationship, pin them to the kata.  The videos are of me trying to memorise the drills, so aren't the best for form or power.  However they do I believe, show the core elements, and will give a basis for comparison as I progress.

The common features of all the drills, whether pro or reactive in nature, are to occupy the oppontent's space, unbalance the person, then disable them.  This may take one step or many and we are told that sequence is not important, just the principles.  The techniques that can be applied depend on the opportunities presented, rather than the sequence in which we practice them.

So to the drills themselves:

Naihanchi Drill 1:

#1Teisho, hammer fist, elbow, knee, step back drag down

The videos are taken from two separate sessions, 1 filmed from the from and the other from the side:


Initially I had this noted as:

#2 Teisho, crash, head clasp to shoulder, shoulder bump, head butt, back knee step through, front knee (now back knee) step through, head clasp, turning drag down

But this has developed into:

Teisho, crash, head clasp to shoulder, shoulder bump, head butt, back knee step through, front knee (now back knee) step through, head clasp, elbow, step back drag down

As with the videos for drill #1 the videos are taken from two separate sessions, 1 filmed from the from and the other from the side. The first video features the first version of the drill and the second features the second version of the drill.

I believe this refers to the opening section of the kata, from yoi to the pull in after the stike and elbow sequence. The step overs represent the knee strikes and this is shown in the third video.

Drill 2 Video 1


Drill 2 Video 2


Drill 2 Video 3

Naihanchi Drill 3:

#3 Step back foot across to side, low block, hook, back knee step through, front knee (now back knee) step through, head grasp, rotating drag down.

The videos are taken from two separate sessions, 1 filmed from the from and the other from the side:

I believe this refers to the section of the kata, from gidan uke to the next step over. This is shown in the third video.

Drill 3 Video 1


Drill 3 Video 2


Drill 3 Video 3

https://www.youtube.com/watch?v=Wz5VTx3p5Mw

Naihanchi Drill 4:

#4 push down and uppercut, roll into backfist, clinch and knee into heel stomp, cm neck crank takedown.

The videos are taken from two separate sessions, 1 filmed from the from and the other from the side:

I believe this refers to the section of the kata from the ukes to the wave kicks. This is shown in the third video.

Drill 4 Video 1


Drill 4 Video 2


Drill 4 Video 3

Naihanchi Drill 5:

#5 Percussive clinch, knee, hammerfist into side of head/jaw, forearm strike into base of skull, turn and throw into wall/person/ environment.

The videos are taken from two separate sessions, 1 filmed from the from and the other from the side:

Drill 5 Video 1


Drill 5 Video 2


This is very much a work in progress, but thought it worth documenting, for reference and to be able to check my progress. Thank you for reading, if you got this far :)

Sunday, 1 November 2020

Covid, karate and pennies dropping



 Due to work, I haven't been able to train as much as I did earlier in the Covid-19 outbreak, and that compounded by some stressful factors led to a flair up of my chest complaint.  My doctor insisted I got a Covid test done, even though I have been working from home and not socialising, waiting for the results only added to the mix.

2010 Kata as Breathing Exercise

Since I already have my own issues, mentally this set of circumstances didn't help either.  Medically I was told to take my crash pack of antibiotics and steroids, and as I had struggled on the previous Saturday lesson, I had to take it easy for a while.  I had to find something to compensate and focus on, and as is typical with me it was Karate.

22100 Slow kata gentle breathing

I put my kata to good use, both as a series of breathing exercises and as relaxation.  But then came the better news, I was Covid free: Thought it was time to start training again, even if only for a part of the lesson and not full speed: Form, rather than strength and speed. So on Saturday I did train again.  some of it I got near to full power, but the best part of it was a penny dropping......

 Kihons and knees 2410

This was my post in one of the Facebook forums:

"Muchimi, pad work and kihon: My dojo has concentrated on online training, plus outdoor training where possible, since the start of the Covid-19 outbreak. I have possibly trained more as a result and attended more seminars, but reached a "lights turned on" moment today. Recently, we have started working on knee adaptations of our kihon gata in place of kicks and today our sensei added pad work.
The kihons are very clean, with punch/ kick combinations, so swapping to knees was a change anyway, more in keeping with Shorin Ryu roots. But the addition of padwork introduces the idea of muchimi, as I realised afterwards. For example, the first kihon in my dojo is "jab, reverse punch, mai geri". the knee interpretation without pad is "jab, reverse punch, back leg knee".
Add in the pad, and this becomes "Jab, reverse punch, knee" but because the jab isn't retracted to keep the pad as a target, and the the reverse punch hand isn't retracted to support the pad for the knee: It becomes "Jab grasp, reverse punch grasp, knee" Maintaining contact with the head. Suddenly practice drills developed real intent for me. Does that make sense?"

My Sensei are always telling us about keeping contact in close quarter situations, but finally the penny dropped with some of our basic drills. One of these is given below as an example:

Kihon gata Shodan - different forms

The following day was "Karate Day" and the 100 kata challenge.  I signed up for it ages ago, but given the recent circumstances, I approached it with a certain amount of trepidation.   We were mostly going to do Naihanchi, so that wasn't a problem, but how long I would last potentially was.   I needn't have worried:  The first 20 were a real struggle, but then managed to clear my chest.   I managed the full 100, and though the other 80 weren't a walk in the park, they certainly felt more comfortable than the first 20 ☺☺☺

100 kata challenge

Much to my surprise, I even managed to make a midweek lesson on the following Thursday, and there was yet more new material introduced.  We worked mainly on kata and an old favourite: The Quadrant drill.  However towards the end of the lesson we were also introduced to some new pad drills, Naihanchi drills 4 and 5, so something more to work on ☺☺☺  The Saturday lesson was taken up by a Jamie Clubb webinar, featuring grappling and ant-grappling techniques, but for once I wasn't able to take an active part due to a few technical issues.  My son did though and he seemed to enjoy it ☺☺☺

That's it for now, thank you for reading if you got this far ☺☺☺

2410

Kata
Kihon gata to 7, knees and elbows

2510

100 kata challenge 3 Naihanchis (for me)

2910

Kata
Quadrant drill
5 Naihanchi pad drills

The two new ones:
4: push down and uppercut, roll into backfist, clinch and knee into heel stomp, cm neck crank takedown.
5: Percussive clinch, knee, hammerfist into side of head/jaw, forearm strike into base of skull (forgot to do this in tonight's lesson), turn and throw into wall/person/ environment.






3110

Jamie Clubb - grappling


Sunday, 18 October 2020

Tandoku and Naihanchi on the pads and the Chicken Dance



This last month definitely felt stranger than many of it's predecessors:  Motivation has been much harder than previously due to all sorts of factors, including pressures of work, periods of feeling down, worry about facing up to some difficult challenges and trying to work out some things at home.

Tandoku #1 1409

The continued worries about Covid-19 often plays on my mind, being on the high risk register, but no longer having the protection of government advice, and very often this colours my judgement on other issues.  But no matter what, I have still tried to train, even if not as much as I would or should like.  

Tandoku #2 1709

The onset of darker nights and worsening weather have also played their part.  The ability to practice outside during the summer was a great help.  Also, kobudo inside isn't too practical with bo and nunchaku.  The one time I tried it, one vivarium and a light fitting nearly took the brunt, and a fly catcher was cleanly dispatched.

Naihanchi Pad drills #1-3 1909

From a karate standpoint, pad work has become a staple of our lessons over my period of isolation.  This kind of makes my dojo's first offering on the month even more appropriate.  We started working on an Iain Abernethy solo pad kata called Tandoku which translates as "isolation".

Compass points 2009

This was followed by the introduction of pad drills based on Nainhanchi which will be used in future gradings.  Might be just me, but elements of these bore a strong resemblance to the moves in Tandoku.  This probably bears out the the idea that there are only certain basic moves that the body can make, and they can be found in virtually all kata, if you look hard enough.

Homework 2409


When the weather was better I did some work on turns, aided by a video from my Sensei, based on moving the foot nearest the direction I wanted to face, whilst pivoting on the ball of the other foot.  I worked on that a few times with both nunchaku and elbow strikes (thank you Brian Bates for that idea).

After the Jamie Clubb lesson 2609

Whilst work needs made it difficult to train, I have still been practicing my Naihanchi (Shodan and Nidan).  I like to do them in three different ways, slow, deliberate (slow movement but sharper strikes) and normal (with full intent).  Seems to be paying off, as my Sensei seem to think it's now much improved.  
Kata 0310

I now have to work on the speed of my wave kicks (more snap), lower hand position (sometimes my wrist droops), front block (hand occasionally wanders off to the side) and leaning into elbow strikes (leaning is giving bad posture).  I think my movement and general posture has been one one the biggest improvements.

Naihanchi Technical 0810

One of the basic tenets it to maintain a stable base, and I seem to be getting there slowly.    In amongst it all were a couple of different points.  We had Jamie Clubb giving the fifth session of his seminars based on child confidence and self defence, plus on the 18th I attended an online seminar given by Hanchi Nakasone.

Naihanchi Pad Drills #1 and 3 followed by kata 1010

There was also a kobudo lesson based on the legal use of improvised weapons for self defence.  The core of this are the nunchaku kihon gata we do, applied to things such as belts, dog leads, hand bags and socks containing something like a battery, mobile phone, or padlock (remenber to carry a key or the latter is an offensive weapon)

Pad Work and a bit of Nunchaku

A note on Hanshi Nakasone's seminar on Pinan Sandan and Yondan, the former referred to by a member of my family as the "Chicken dance (I will leave you to work out why ☺☺☺).  A lot of it was very advanced, as you would expect, but it should have been no surprise that he uses a style similar to Goju, applied to Shorin Ryu kata and the end result looks very similar ro Tuiti (similar to Motobu Udundi).  The seminar covered from the mid section of Pinan Sandan through Pinan Yondan.  Including shoulder rolling uke followed by back hand strikes, how to harden your stance, soft techniques but hard bones, muchimi and feeling your opponent's moves, taking your oppenent's space etc.

1409 and 1709

Kata and Tandoku

Fighting stance right
Going forward, teisho, teisho, hammer fist
(go back to starting point)
Lh block, clasp head, bump into chest, head butt, two close in hammerfists (inside clasp)
Step to side (back leg moves round 90 deg) and open up, Lh slapping to neck, rh pulling hand to hip)
Teisho, elbow, teisho, knee (clasping head)
Bring right leg up behind left leg, crossing with right foot at 90 degrees to left
Pivot on right leg (twist providing torque) through 180 degrees whilst grasping head, head throw
(Opponent gets up - still controlling with clasp) - head butt knee, short upper cut x2, right cross 

Repeat from fighting stance left (right foot forward) on other side

Upper cuts and right cross were the additions from 1709 lesson

1909

Kata
3 x Naihanchi pad drills

2409

Kicks
Tandoku

2609

Jamie Clubb lesson

0210

Kata
Cat stance and shuto practice
Padwork - teisho, hammerfist, knee, drag on back of head take down, step back into Naihanchi dachi, or shiko dachi, dropping weight to assist take down

1010

Fundamentals
Kata
Pad work
Naihanchi pad drills 1 and 3
#1Teisho, hammer fist, elbow, knee, step back drag down
 #3 Step back foot across to side, low block, hook, back knee, front knee, head grasp, rotating drag down.

<#2 Teisho, head clasp to shoulder, shoulder bump, head butt, back knee, front knee, head clasp, turning drag down> 

17/10/2020

Fundamentals
Kata
Pad work - elbow, shuto, head bump (3 in one), back leg knee step through, back leg knee step through, elbow, step back drag down (Shiko dachi)

Kubudo - sock with weight as weapon

Nunchaku drills applied to a home made "weapon" legal to use in self defence

18/10/2020

Nakasone Koichi; Pinan Sandan/Yondan/Godan kata bunkai seminar

From mid section of Pinan Sandan through Pinan Yondan.  Including shoulder rolling uke followed by back hand strikes, how to harden your stance, soft techniques but hard bones, muchimi and feeling your opponent's moves, taking your oppentent's space etc.